Nancy van Deusen
EDUCATION
School of Music, Indiana University:
Ph.D. (Musicology, Music Theory);
Master of Music(Musicology, Music Theory);
Master of Music (Piano Performance)
Department of Music, Houghton College, New York:
Bachelor of Music in Piano Performance
Graduate curriculum: Notation and Tablature, History of Keyboard Literature (Willi Apel), Symphonic Literature (Malcolm Hamrick Brown), Romantic Music, Chamber Music (Walter Kaufmann), Beethoven (Paul Nettl), Renaissance Notation, Materials and Methods of Historical Research (Thomas Noblitt), Medieval Studies, Systematic Musicology, Direction in Research (Hans Tischler), Baroque Performance Practice, J. S. Bach (John Reeves White), Music Analysis and Composition (Richard Delone, William Thomson, Iannis Xenakis), Piano (Frederick Baldwin, Marion Hall, Walter Robert), Chamber Music, Ensemble (Menahem Pressler, Janos Starker).
ADMINISTRATIVE EXPERIENCE
l992- present Director, Claremont All-College Consortium for
Medieval and Early Modern Studies
l991-l996 Chair, Faculty in Music, The Claremont Graduate School
l987-l991 Director, Center for Medieval Studies,
California State University, Northridge
l985-l987 Coordinator, Interdisciplinary Program in Medieval Studies,
California State University, Northridge
l985-l991 Chair, Music History-Music Theory Faculty, Music Department,
California State University, Northridge
l974-l98l Coordinator, Music Theory-Music History Curriculum, Musicology
Institute of the University of Basel, Switzerland,
Chair, Combined Historical Theory Program
PROFESSIONAL TEACHING EXPERIENCE
l99l-present Professor of Music, The Claremont Graduate School,
Claremont, California
l99l-present Director, Claremont All-College Consortium in Medieval and
Early Modern Studies
l99l-l996 Chair, Faculty of Music, The Claremont Graduate School
(concurrently)
l995-present Faculty, Department of Medieval Studies, Central European
University, Budapest, Hungary
l995, l998 Teaching Residency, Franz Liszt Academy of Music, Budapest, Hungary
l987-l991 Professor of Music, California State University, Northridge
l983-l987 Associate Professor of Music, California State University, Northridge
l988 Teaching Residency, University of Erlangen-Nuernberg
l985 Teaching Residency, University of New England, Armidale, New South Wales,
Australia
l98l-l982 Visiting Associate Professor of Musicology,
University of North Carolina, Chapel Hill
l979-l98l Senior Lecturer for the History and Theory of Music, Musicology
Institute of the University of Basel, Switzerland,
l974-l979 Assistant for Research and Instruction, Musicology Institute of the
University of Basel, Switzerland
l973-l975 Schola cantorum: Research Institute for Early Music, Basel,
Switzerland, music theory and analysis Music Academy of the City of
Basel, Switzerland, music theory and analysis
PROFESSIONAL EXPERIENCE IN COMMUNICATIONS, DRAMA, PERFORMANCE
l967-l969 Piano accompanist, Studios of Charles Kullman, Fritz Magg, Jiri
Sirucek, Janos Starker, Indiana University, Bloomington, Indiana
l97l-l972 Director, Music Writing and Programming, Radio WFIU,
Bloomington, Indiana
l980-l982 Coach, Opera Theatre of the City of Basel, Switzerland
l985-l988 Music Director, Focused Research Program in Medieval Theatre,
University of California, Irvine (for production of the Corpus Christi
cycle of York-Wakefield plays)
l989- present Research Associate, Center for Medieval and Renaissance Studies,
University of California, Los Angeles
FELLOWSHIPS AND HONORS
l997 Fellow, Medieval Academy of America
l994 Fellow, Institute for the Humanities, University of Michigan
(Residency, Fall, l994)
l994-l995 Fulbright Grant for Research at the Hungarian Academy of Science,
Budapest
l992, l994, l997-98 Fletcher Jones Foundation Grants for Research in Eastern
Europe
l990 National Endowment for the Humanities Travel to Collections Grant
l990 President's Associates' Book Award (for "Book of the Year:"
The Harp and the Soul: Essays in Medieval Music, New York, l989),
California State University, Northridge
l989 American Philosophical Society Research Grant
l989 Jerome Stipend, Hill Monastic Manuscript Library
l988, l990 Personal Promise and Merit Awards, California State University,
Northridge
l987-88 Fulbright Fellowship (for research, University of Erlangen-Nuernberg,
Germany)
l988 Curriculum Development Grant, California State University System
l987, l988 Publication Grants, California State University, Northridge
l986, l988 Faculty Research Grants, California State University, Northridge
l984 Distinguished Scholar Research Fellowship, University of New England,
Armidale, New South Wales, Australia (residency, Summer, l985)
l979 Geldner Fonds Research Grant (City of Basel, Switzerland)
l970 Woodrow Wilson Disserltation Fellowship
l969 Piano performance Scholarship, Indiana University, Bloomington
l969 Musicology Fellowship, Indiana University, Bloomington
PROFESSIONAL SERVICE AND MEMBERSHIP IN PROFESSIONAL SOCIETIES
American Musicological Society
l986-l988 Regional Chapter Vice-President
l988-l990 Regional Chapter President
l992-l994 National Council Member
l994-l996 National Representative to the Council
l998 Faculty Representative, Claremont Graduate University
College Music Society
Gesellschaft fuer Musikforschung
International Council for Traditional Music
International Musicological Society
Medieval Academy of America
Committee on Centers and Regional Associations: CARA council (l99l-94)
CARA Chair (l998-2002)
Program Committee, Annual Meetings, l992, l998
Councillor, l996-l998, Executive Council, l997
Fellow l997
Medieval Association of the Pacific
l985-l987 Council member,
l987-88 Chair, Program Committee for UCLA meeting,
March 3l-April l, l988,
Member, Program Committee for UCI meeting, February 20-23, l992,
First Vice President l993-l995
President l996-l998
Chair, Program Comittee for Claremont meeting, March l2-l4, l999
Society for Ethnomusicology
Chair, Program Committee for Regional Meeting, February, l997
Member, Program Committee for Regional Meeting, February l998
Society for the History of Rhetoric
Society for Music Theory
West Coast Conference of Music Theory and Analysis
PARTICIPATION IN PROFESSIONAL MEETINGS (Papers read, invited lectures, and lecture series)
National Meetings of the Society for Ethnomusicology, Indiana University,
Bloomington, Indiana, October, l998; UCLA, October, l995;
Oakland, California, October, l990
Conference: The Liturgy of Rome in the Eleventh Century, Fordham University,
New York City, September, l998
Lecture, Series on Byzantium and the West, Central European University,
Budapest, Hungary, May, l998
Distinguished Lectures in the Humanities, Arizona State University,
Tempe, Arizona, April, l998
Symposium: Shaping the Past: Heretics, Philistines, and Upstarts,
Claremont Graduate School, Claremont, CA, October, l997
National Meetings of the American Musicological Society, Phoenix, Arizona,
October, l997; Oakland, California October, l990; Austin, Texas,
October, l989; Ann Arbor, Michigan, November, l982
Conferences of the International Musicological Society, London, August, l997;
Madrid, March, l992; Symposia of the IMS, Osaka, Japan, July, l989;
Melbourne, Australia, August, l988
Conference of the International Council of Traditional Music, Nitra, Slovakia,
June, l997
International Conferences of the Medieval Institute, Western Michigan
University, May, l997, l996, l995, l994, l993, 1992, 1991, 1990, 1989,
1988,1987, 1986, 1984, 1983
Lectures in Interdisciplinary Humanities and Music, Trinity University,
San Antonio, Texas, April, l997
Conference: Alexander's Revenge: Hellenism Through the Centuries,
Claremont Graduate School,Claremont, CA, February, 1997
Conference: Trance. Times and Cultures. A Comparison of Analysis and the
Revelatory Experience, Claremont Graduate School, Claremont, CA,
November, l996
Meeting of the Australian and New Zealand Medieval Asosociations,
University of Brisbane, Queensland, Australia, February, l996
Symposium: Issues in Medieval Philosophy, The Claremont Graduate School,
Claremont, CA, February, l996
Conference: Hearing the Written Text: Anthropology, Critical Theory, and
Medieval Texts, University of California, Los Angeles, February, l996
Annual Lecture in the History of Science Program, Harvey Mudd College,
December, l995
National Meeting of the College Music Society, Portland, Oregon, November, l995
Annual Meeting of the Committee on Centers and Regional Associations,
Medieval Academy of America, October, l995
Conferences of the Cantus planus, Hungarian Academy of Sciences, Sopron,
Hungary,September, l995; Eger, Hungary, l993; Pecs, Hungary, 1990
2nd International Meeting of the Medieval Institute, University of
Leeds, July, l995
Lectures on Medieval Music and Thought of the Hungarian Academy of Science,
Budapest,June l995
Meeting of the German-Speaking Society for Gregorian Chant, Vienna, June, l995
Conference: Music Images and the Bible: Instruments, Forms, Symbolism,
International Council of Traditional Music, Bar-Ilan University with the
Israel Museum,Jerusalem/Ramat-Gan, January, l995
Art History Lectures: Music in Dutch Seventeeth-century Paintings,
University of California, Los Angeles, December, l994
Lectures for the Institute for the Humanities, Medieval and Renaissance
Colloquium, and School of Music, University of Michigan, Ann Arbor,
November, l994
Lecture, Center for Medieval Studies, University of Minnesota, October, l994
Annual Meetings of the Medieval Academy of America, Knoxville, Tennessee,
April, l994;Philadelphia, April, l988; Albuquerque, New Mexico, April,
l986
Conference: Augustine and the Nature of Good, University of Dayton, April, l994
Conference: The Early University, University of British Columbia, Canada
November, l993
Symposium: Design and Production in Medieval and Early Modern Europe
The Claremont Graduate School and Scripps College, Claremont, CA,
October l993
Symposium: Performance Aspects of Medieval Arts and Learning, University of
Toronto, February, l993
Symposium: Tradition and Ecstasy: The Agony of the Fourteenth Century,
The Claremont Graduate School, Claremont, CA, November, l992
Symposium: Narrative, Song, and Saga, The Claremont Graduate School, Claremont,
CA,February, l992
Lecture series: Medieval Monastic Spirituality, Loyola Marymount University,
Los Angeles, CA, November, l99l
Mead-Swing Lectures: The Medieval Sequence, Oberlin College, Oberlin,
October, l99l
Symposium: The Gordon A. Anderson Medieval Materials Collection, University of
New England, Armidale, New South Wales, Australia, August, l99l
Annual Humanities and Science Lecture, California Institute of Technology,
Pasadena, California, April l99l
Annual Meetings of the Medieval Association of the Pacific, Davis, California,
March, 1991; Tucson, Arizona, l988; Eugene, Oregon, l987; Los Angeles,
l984
Chapter Meetings of the American Musicological Society, Riverside, CA,
February, l991; Los Angeles, February, l985; Columbia, South Carolina,
November, l981
Symposium: The Place of the Psalms in the Intellectual Culture of the Middle
Ages, California State University, Northridge, February, l9
Symposium: The Cultural Milieu of the Troubadours and Trouver
California State University, Northridge, December, l990
Lecture Series: Medieval Books and Learning, University of New Mexico,
Albuquerque, New Mexico
Symposium: The European Middle Ages and the Rest of the World. Western Medieval
Concepts and Their Resonance, California State University, Northridge
February, l990
Symposium: The Concept of 'Figura' in the Middle Ages and Baroque,
California State University, Northridge, November, l989
Conference: Early Music in the Context of Contemporary Culture: Problems of
Interpretation and Source Study, Conservatory of Music, Moscow, U.S.S.R.,
September, l989
Symposium: Medieval Visions of Antiquity, California State University,
Northridge, February, l989
Loew Lecture, The Medieval Institute, Western Michigan University,
Kalamazoo, Michigan, December, l988
Symposium: The Intellectual Climate of the Early University,
California State University, Northridge, October, l988
Symposia: The Medieval Text--Documentation, Edition, Interpretation
California State University, Northridge, February, l988 and
The Huntington Library, San Marino, California, November l987
Conferences of the Corpus troporum, Perugia, Italy, September, l987;
Munich, September, l984: Stockholm, June, l980
Symposium: Beholding and Understanding--Representations of Music in Literature
and Art, ca. l400, University of California, Los Angeles, February, l987
Symposium: Paradigms in Medieval Thought--Applications in Medieval Disciplines,
California State University, Northridge, February, l987
Eleventh International Conference on Patristic, Medieval and Renaissance
Studies,Augustinian Historical Institute, Villanova University,
Pennsylvania, October, l986
Conference on Medieval and Renaissance Music, London, England, August, l986
New College Conference on Medieval and Renaissance Music, University of
South Florida,Sarasota, March, l986
Symposium: The Relevance of Medieval Learning, California State University
Northridge, January, l986
Gordon A. Anderson Memorial Lecture, University of New England, Armidale,
New South Wales, Australia, June, l985
Colloquium on Medieval Drama, Focused Research Project, University of
California, Irvine, December, l984
Conference on the Medieval Sequence, Milan, Italy, April, l984
Conference for Paleography and the Medieval Sequence, Orleans, France, August,
l982
Conference on Music Iconography, Mainz, Germany, August, l982
Conference for Medieval and Renaissance Music, Manchester, England, July, l982
CONFERENCES ORGANIZED "The Relevance of Medieval Learning", January, l986, California State
University, Northridge
"Paradigms in Medieval Thought: Applications in Medieval Disciplines"
February, l987, California State University, Northridge
"Beholding and Understanding: Representations of Music in Literature
and Art ca. l400", February, l987, University of California,
Los Angeles
"The Medieval Text: Documentation, Edition, Interpretation", November,
l987, California State University, Northridge and the Huntington Library,
San Marino, California (with the Institute for Classical Languages,
University of Stockholm, Sweden)
"The Medieval Text: Documentation, Edition, Interpretation", February,
l988, California State University, Northridge
"The Early University", November, l988, California State University, Northridge
"Medieval Visions of Antiquity", February, l989, California State University,
Northridge
Annual Meeting of the Medieval Association of the Pacific, March/April,
l989, University of California, Los Angeles
"The Concept of 'Figura' in the Middle Ages and Baroque", November,
l989, California State University, Northridge
"The European Middle Ages and the Rest of the World. Western Medieval
Concepts and Their Resonance", February, l990, California State
University, Northridge
"The Cultural Milieu of the Troubadours and Trouveres" in collaboration
with the University of Michigan, Ann Arbor, California State
University, Northridge, November, l990
"The Place of the Psalms in the Intellectual Culture of the Middle
Ages", California State University, Northridge, February, l99l
"Narrative, Song, and Saga", Claremont Graduate School, Claremont,
California, February, l992
"Tradition and Ecstasy: The Agony of the Fourteenth Century", Claremont
Graduate School,November, l992
"Baroque Music, Dance, and Theater" in collaboration with Pomona College,
Claremont Graduate School, February, l993
"Power and Politics in the Anglo-Norman Empire", Claremont Graduate
School, March, l993
"Design and Production in Medieval and Early Modern Europe", Claremont
Graduate School and Scripps College, October, l993
"Associations and Boundaries in Medieval Germany", Claremont Graduate
School, March, l994
"Encounters Along the Mediterranean Rim: Cross-Cultural Associations
between Jewish, Arabic, Byzantine and Latin Civilizations in the
Middle Ages", Claremont Graduate School and Claremont McKenna
College February, l995
"Reciprocity between 'Popular' and 'Literary' Cultures ca. l300", with
Center for Medieval and Renaissance Studies, University of
California, Los Angeles, April, l995
"Purcell and His England", Claremont Graduate School, September, l995
Annual Meeting of the Committee on Centers and Regional Associations,
Medieval Academy of America, Claremont Graduate School, October,
l995
"Issues in Medieval Philosophy", Claremont Graduate School, February,
l996
"Patterns, Repetition, and Design in Late Eighteenth-Century Composition:
An Interdisciplinary Inquiry", The Claremont Graduate School, April, l996
"Trance. Times and Cultures. A Comparison of Analysis and the Revelatory
Experience," The Claremont Graduate School, November, l996
"Alexander's Revenge: Hellenism Through the Centuries," The Claremont
Graduate School, February, l997
"Shaping the Past: Philistines, Heretics, and Upstarts," The Claremont
Graduate School, October, l997
"From Alexander to Machiavelli: Heritage and New Age," The Claremont
Graduate School, February, l998
"American Songs, American Souls: The Creation of an American Voice,"
Claremont McKenna College, and the Claremont Graduate University,
April, l998
"Augustine," Claremont Graduate University, October, l998
"TRANSLATION: The Transmission of Greek and Arabic Science in the Middle
Ages," The University of San Diego and the Claremont Graduate
University,November, l998
COURSES TAUGHT
Indiana University, Bloomington, Indiana:
Materials and Structure of Music
Schola Cantorum, Basel, Switzerland:
l5th, l6th Century Music (Style and Analysis)
Music Academy of Basel, Switzerland:
Materials and Structure of Music
Collegium musicum
University of Basel:
Contrapuntal Techniques of the l6th Century
Contrapuntal Techniques of the 20th Century
Functional Harmony in Historical Context
History of Music: Middle Ages to 20th Century
Music Research Methods and Bibliography
Composer Course: Heinrich Schuetz
Seminars: The Tonaries, The Tropes of the Christmas Mass
Techniques of Composition in Historical Context (Historische
Satzlehre):
I Middle Ages (Chant and Early Polyphony)
II Machaut and the Italian Trecento
III Dufay and his Contemporaries to Josquin
IV l6th-Century Composers to Beethoven
Collegium musicum
University of North Carolina, Chapel Hill:
Undergraduate Music History:
Middle Ages to the End of the Renaissance
Graduate Seminar: Chant Notation, Sources and Editorial Problems
Graduate Seminar: l3th-l4th Century Non-Liturgical Song
Continuo Practice of the l7th Century
California State University, Northridge:
Undergraduate Music History I (Middle Ages to Baroque),
II (Baroque to 20th Century)
Undergraduate Music Theory (all areas)
Graduate Seminar in Aesthetics
Graduate Seminars in Baroque Music: Basso continuo Practice,
Concertato as Compositional Idea, Baroque Opera
Graduate Seminars in Classical Music: Conceptual Roots of
"Classicism","Empfindsamkeit"
Graduate Seminar in Non-Liturgical Medieval Song (the Italian
and Latin Laudi)
Graduate Seminar in Medieval Manuscripts and Paleography
Graduate Seminar in Performance Practice of Medieval Music (with
class performances at University of California, Irvine, CSUN)
History and Literature of the Keyboard
History of Music Theory
Music Research Methods and Bibliography
Claremont Graduate School, Claremont, CA:
Cross-Cultural Aesthetics
Cross-Cultural and Interdisciplinary Music Criticism
Handel and his Social Environment
History and Literature of the Keyboard
History of Music Theory: Music as a Liberal Art
Monteverdi: Life, Works, Compositional Milieu
Musical Systems: Analysis in Transition
Seminar in Medieval Music: Words and Music (interdisciplinary)
Seminar in Renaissance Music (Culture, Notation, Performance
Practice)
Seminar in Late-18th, Early 19th-Century Music and Culture
Seminar in "Romanticism," Conceptual Bases and Influences in
the l9th Century
Performance Practice of Early Music (Middle Ages, Renaissance,
Baroque)
Research and Bibliography in Historical and Systematic Musicology
Research Seminar: The Song and Adam de la Halle
(interdisciplinary)
Research Seminar: Figurenlehre in the Middle Ages and l7th Century
(interdisciplinary)
Research Seminar: "Medievalism" and German Romanticism in Music
Style and Analysis: Middle Ages to 20th Century
Teaching Music Theory
PUBLICATIONS (with selected reviews)
Dissertation: A Historical and Stylistic Comparison of the Graduals of Gregorian and Old-Roman Chant (Indiana University, Bloomington, Indiana, l972 (University Microfilms, Ann Arbor, Michigan)
reviewed by Dom Jean Claire, Revue gregorienne (l974)
Books: Music at Nevers Cathedral: Principal Sources of Medieval Chant, 2 vols. (Institute for Medieval Music, Binningen, Switzerland, l980), reviewed by Michel Huglo, Scriptorium 37 (l983), l56-7
The Harp and the Soul: Studies in Medieval Music (Mellen Press, NY, l989), reviewed by Andre Barbera, Speculum 67 (l992), 493.
Music and Theology at the Early University: The Case of Robert Grosseteste and Anonymous IV (Thirteenth-Century Intellectual History [Brill Press, Leiden, London, New York, l994])
The Medieval Latin Sequence, 900-l600: A Catalogue of the Manuscript Sources (2 vols. in press, Repertoire international des sources musicales [RISM], Henle-Verlag, Munich)
The Medieval Latin Sequence: A Complete Edition of the Repertory (2 vols. accepted for publication by Monumenta monodica medii aevi, Baerenreiter-Verlag, Kassel)
As Editor:
In memoriam Gordon Athol Anderson (Institute for Medieval Music, Binningen,Switzerland, l984)
Paradigms in Medieval Thought:Applications in Medieval Disciplines (Proceedings of a Symposium held at California State University, Northridge, February, l987, Mellen
Press, New York, l99l)
The Cultural Climate of the Troubadours and Trouveres
Claremont Cultural Studies l, Institute for Medieval Music, Ottawa, l994)
The Medieval West Meets the Rest of the World: Medieval Concepts and Their Resonance (Claremont Cultural Studies 2, Institute for Medieval Music, Ottawa, l994)
Tradition and Ecstasy: The Agony of the Fourteenth Century
(Claremont Cultural Studies 3, Institute for Medieval Music, Ottawa, l997)
A Dictionary of Medieval Chant (in press, Medieval Institute
Publications, Western Michigan University, Kalamazoo, Michigan)
The Intellectual Climate of the Early University (in press, The
Medieval Institute, Western Michigan University, Kalamazoo, Michigan)
The Place of the Psalms in the Intellectual Culture of the Middle
Ages (in press, State University of New York Press)
Medieval Germany: Associations and Delineations
Claremont Cultural Studies 4, Institute for Medieval Music, Ottawa, in press)
Design and Production in Medieval and Early Modern Europe
(Claremont Cultural Studies 5, Institute for Medieval Music, Ottawa, in press)
Chapters:
"The Cithara as Symbolum: Augustine vs Cassiodorus on the Subject
of Musical Instruments" in: Saint Augustine and Music (Mellen Press,
New York, l988)
"Medieval Discussions of Literacy vs Revelation" in: Music and
the Mystical Experience: Three Essays (ed. Judith Becker, Catherine
J. Ellis, Nancy van Deusen, in press, Claremont Cultural Studies
6)
Articles:
"Special Reports: Basel Switzerland, Woche der Begegnung" Current
Musicology 23 (l977), 20-22.
"A Trope for Epiphany: A Medieval Mentality" ("Ein Tropus fuer
Epiphanias") Neue Zuercher Zeitung (7/8 January, l978).
"An Alleluia for Christmas, Dies sanctificatus: A Medieval Significance"
("Ein Alleluia-Vers fuer Weihnachten: Wiederholungen und
Neubeleuchtungen in einem Stueck Liturgie") Neue Zuercher
Zeitung (23-24 December,l979).
"Special Reports: Jean-Jacques Rousseau and the Swiss Musicological
Society, May l978" Current Musicology 27 (l979), l4-l6.
"The Sequence Repertory at Nevers Cathedral" Basler Studien zur Interpretation der alten Musik, Forum Musicologicum 2 (l980), 44-59.
"Music at Nevers Cathedral: Relationships between a Medieval
Institution and Manuscript Transmission" Musicology (Journal of the
Australian Musicological Society) 7 (l982), 30-40.
"Style, Nationality and the Sequence in the Middle Ages" Journal
of the Plainsong and Medieval Music Society 5 (l982) 44-55.
"The Medieval Latin Sequence: A Complete Catalogue of the Sources
and Editions of the Texts and Melodies" Journal of the Plainsong
and Medieval Music Society 5 (l982), 56-60.
"Manuscript and 'Milieu': Illustration in Liturgical Music Manuscripts"
in: In memoriam Gordon Athol Anderson, Binningen (Switzerland, l984),
7l-86.
"Origins of a Significant Medieval Genre: The Musical 'Trope'
to the Twelfth Century" Rhetorica (Journal of the History of
Rhetoric)3 (l985), 245-267.
"The Image of the Harp and Trecento Reception of Plato's Phaedo"
Florilegium 7 (l985), l55-l78.
"The Use and Significance of the Sequence" Musica Disciplina 40
(l986), l-46.
"Polymelodic Sequences and a 'Second Epoch' of Sequence Composition"
Musicologie medievale: Notations et sequences (Actes de la Table-
Ronde du C. N. R. S. a l'Institut de Recherche et d'Histoire des
Textes Paris, l987), 2l3-225.
"'Alma, arpa, armonia: Platonic Symbolism in Trecento Art and
Music" Gordon Athol Anderson Memorial Lecture, l985 (University of
New England, Armidale, New South Wales, Australia, l987).
Review: Margaret Louise Switten, The Cansos of Raimon de Miraval,
Medieval Academy Books (Cambridge, Massachusetts, l985), Romance
Philology 43 (l989), 356-358.
"The Paradigm of 'figura' and its Importance for l3th-Century
Discussions of Rhythm in Context" in: Paradigms in Medieval Thought:
Applications in Medieval Disciplines. A Symposium (New York, l99l), 65-80.
"Procession without Progress: The Mastery of Static Style in the
Medieval Latin Sequence" in: Proceedings of the First International
Musicological Conference, September, l989, Conservatory of
Moscow, U.S.S.R. (Moscow, l99l).
"The Latin Phaedo and its Concept of Simultaneous Harmony" in:
Tradition and its Future in Music. Report of SIMS l990 Osaka
(Proceedings of the Symposium of the International Musicological
Society, Osaka, Japan, l99l), 309-320.
Review: Hendrik van der Werf, The Extant Troubadour Melodies: Transcriptions and Essays for Performers and Scholars (Rochester, NY, by the Author, l984), Romance Philology 45 (l992), l97-200.
"The Paradox of Privacy in the Love Songs of Adam de la Halle" in: The Cultural Milieu of the Troubadours and Trouveres (Claremont Cultural Studies l, Ottawa, l994) 56-66
"Ubi Lex? Robert Grosseteste's Discussion of Law, Letter, and
Time and its Musical Exemplification" Dayton Philosophical Review
22 (l994), 219-232
"The Medieval Sequence as a Bridge to Other Musical Civilizations" in: The Medieval West Meets the Rest of the World. Medieval Concepts and Their Resonance (Claremont Cultural Studies 2, Ottawa, l994) 108-120
"Formula or Formulation? Old Roman Chant and Italianate Melodic Style" in: Max Luetolf zum 60. Geburtstag. Festschrift, ed. Bernhard Hangartner und Urs Fischer (Basel, l994), 21-30
"Cantus planus: the Origin of a Concept," in Cantus planus: Papers Read at the 6th Meeting, Eger, Hungary, l993 (Institute for Musicology, Hungarian Academy of Sciences, Budapest, l995), pp. l-l3
"Institutional Construct and Musical Composition: A Paradigm in Medieval France," in Laborare fratres in unum. Festschrift Laszlo Dobszay zum 60. Geburtstag, ed. David Hiley and Janka Szendrei (Hildesheim/Zuerich,l995), pp. 53-61
Review: Margot Fassler, Gothic Song (Cambridge University Press) in Journal of the Royal Music Association 120 (l995), pp. 146-151
Review: Richard Leppert, The Sight of Sound: music, representation, and the history of the body (University of California Press) in Imago musicae: International Yearbook of Musical Iconography IX/XII (l992-95), pp. 289-292
"The Medieval charivari and Origins of Ethnicity," in: Papers of the Institute for Antiquity and Christianity, The Claremont Graduate School, ed. Jon Ma. Asgeirsson (l996)
"Scholastic Antics and the Roman de Fauvel" in: Tradition and Ecstasy: The Agony of the Fourteenth Century (Ottawa, l997), pp. 191-222
"Thirteenth Century Concepts of Motion and Their Applications in Music Theory," in: The Early University (in press, Medieval Institute Publications, Western Michigan University)
"Promissa mundo gaudia and the Theological Background of a Medieval Sequence," with Marcia L. Colish in: The Place of the Psalms in the Intellectual Culture of the Middle Ages (in press, State University of New York Press)
Article: Cantus planus, New Groves Dictionary (in press)
Articles: De musica, De grammatica, De rhethorica, music/rhythm, Robert Grosseteste in: Augustine Encyclopedia, ed. Allan Fitzgerald, osa (in press, Garland Publishing, Inc)
"'And this is the wonderful diversity of nature: ' Roger Bacon on Music" in: Essays on Roger Bacon, ed. Jeremiah C. Hackett (in press, Brill)
"'Retheorizing' the Sequence and the Question of 'Repertory,'" Musica Disciplina (in press)
Review: Lexicon musicum latinum medii aevi: Woerterbuch der lateinischen Musikterminologie des Mittelalters bis zum Ausgang des l5. Jahrhunderts (Dictionary of Medieval Latin Musical Terminology to the End of the 15th Century, ed. Michael Bernhard (Verlag der Bayerischen Akademie der Wissenschaften, Muenchen, l995) in Speculum (in press)
"Hungarian Folksong and the Creative Process," Bulletin of the International Council of Traditional Music (in Press)
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