Born in 1977 in Miami, Florida, Erik Frydenborg is an artist living and working in Los Angeles. Frydenborg has held solo exhibitions at The Pit, Glendale, CA; Andrew Rafacz Gallery, Chicago, IL; Albert Baronian, Brussels, BE; The Suburban, Oak Park, IL; and Cherry and Martin, Los Angeles, CA. Previous group exhibitions include Real Shapes, Dateline, Denver, CO; Skip Tracer, M. LeBlanc, Chicago, IL; Knowledges, Mount Wilson Observatory, Los Angeles, CA; Re-Planetizer, Regina Rex, New York, NY; TRAUMA SAUNA, ASHES/ASHES, Los Angeles, CA; Full House, Shanaynay, Paris, FR; BAD BOYS BAIL BONDS ADOPT A HIGHWAY, Team, New York, NY; Trains, Night Gallery, Los Angeles, CA; Set Pieces, Cardi Black Box, Milan, IT; and The Stand In (Or A Glass of Milk), Public Fiction, Los Angeles, CA. Frydenborg is a partner in the cooperative artist-run Los Angeles gallery AWHRHWAR.
Frydenborg’s work appears in various private collections, and was recently acquired by the Los Angeles County Museum of Art. His work has been reviewed in Artforum, Flash Art, The Los Angeles Times, LA Weekly, and Art Review.
“Objects,” Amanda Ross-Ho, Objects, Wood Kusaka Studios, 2014.
“Very Very Last Man: Model Views,” Tony Matelli, A Human Echo, AroS Aarhus Kunstmuseum, Denmark, 2012.
“SRS Facility Condition Report,” Sterling Ruby, Supermax 2008, MOCA Los Angeles, 2008.
Steffen, Patrick. “Erik Frydenborg,” Flash Art XLV, no. 283 (March 2012): 92.
Berardini, Andrew. “Erik Frydenborg: ‘Distants’ by the Distants,” ArtReview (May 2010).
Taft, Catherine. “Erik Frydenborg,” Artforum XLVII, no. 10 (Summer 2009): 346.